A Ticket Booking System For Theatre

A Ticket Booking System For Theater The motivation behind the online ticket booking framework is to give another approach to buying film tickets ahead of time. It is a programmed framework. This paper presents a conventional utilization of the Object Oriented investigation and Design, we will represent our framework by giving Use Case Diagrams Specifications, Activity Diagrams, Class Diagrams, Sequence Diagrams, State Machines and Communication Diagrams on the functionalities of the framework, additionally we will give some procedure portrayal and information word reference. The objectives of our framework are: Record execution subtleties Record client subtleties Record tickets sold Print tickets Print address names for phone booking Errand 1: Functional Modeling Distinguishing proof of Actors Use Cases Breaking down the current framework we made sense of that, there are two fundamental extensions to be shrouded in the framework. The extensions are Performance Planning and Ticket Booking. We utilized the underneath table to distinguish the Actors and the Use Cases for the framework. Client Job Use Case Theater Manager Execution arranging Characterize the sort of the presentation and name it. Execution planning Characterize date and time of the presentation. Craftsman booking Book a craftsman for the presentation. Ticket estimating Decide a cost for the ticket. Representative Check plan Check the presentation plan for a specific show out on the town. Check seat accessibility Checks for accessible seats Catch client data Record client subtleties Check ticket cost Check for ticket cost for specific show. Sell ticket Record tickets sold. Print ticket Print ticket for the client. Print address mark Print address mark for phone booking. Use Case Diagram Following outline shows the general perspective on the Ticket Booking System for Theater. Figure 1: Use Case Diagram (Performance Planning Ticket Booking) Use Case Specification Table 1: Use Case of Performance Planning Number: UC01 Req. Doc Ref: Name: Execution Planning Status: Entertainers: Theater Manager Pre-imperatives: Client ought to be signed in the framework. Objective: Characterizing the exhibition type and naming it. Use Case Relationships: Extend:UC02, UC03 Include: Affiliation: Speculation: Portrayal: Record On-screen character Event 1 Client enters the name of the presentation. 2 Client enters the sort of the exhibition. 3 Framework checks for every single required datum passage. 4 Framework interfaces with the database. 5 Framework composes information into the database. 6 Framework shows an affirmation message after fruitful database composes. Options: Record On-screen character Event A 3.1 Enter required data. A 4.1 Check arrange network A 4.2 Check database availability A 4.3 Check database client job A 5.1 Theater chief gets warning of fruitless activity. Table 2: Use Case of Performance Scheduling Number: UC02 Req. Doc Ref: Name: Execution Scheduling Status: Entertainers: Theater Manager Pre-necessities: Client ought to be signed in the framework. Execution arranging (UC01) ought to be embedded into the framework. Objective: Characterize date and time of the presentation. Use Case Relationships: Expand: Include: Affiliation: Speculation: Portrayal: List Entertainer Event 1 Client chooses the ideal execution from the framework. 2 Client enters the date of the exhibition. 3 Client enters the hour of the exhibition. 4 Framework checks for every single required datum passage. 5 Framework associates with the database. 6 Framework composes information into the database. 7 Framework shows an affirmation message after effective database composes. Choices: List On-screen character Event A 3.1 Enter required data. A 5.1 Check organize network A 5.2 Check database network A 5.3 Check database client job A 6.1 Theater administrator gets notice of fruitless activity. Table 3: Use Case of Artist Booking Number: UC03 Req. Doc Ref: Name: Craftsman Booking Status: On-screen characters: Theater Manager Pre-essentials: Client ought to be signed in the framework. Execution arranging (UC01) ought to be embedded into the framework. Objective: Book a craftsman for the presentation. Use Case Relationships: Expand: Include: Affiliation: Speculation: Portrayal: Record On-screen character Event 1 Client chooses the ideal execution from the framework. 2 Client enters the name of the ideal craftsman. 3 Framework checks for every necessary datum section. 4 Framework interfaces with the database. 5 Framework composes information into the database. 6 Framework shows an affirmation message after fruitful database composes. Choices: Record On-screen character Event A 3.1 Enter required data. A 4.1 Check organize network A 4.2 Check database network A 4.3 Check database client job A 5.1 Theater administrator gets notice of fruitless activity. Table 5: Use Case of Schedule Checking Number: UC04 Req. Doc Ref: Name: Timetable Checking Status: On-screen characters: Assistant Pre-essentials: Client ought to be signed in the framework. Execution booking (UC02) ought to be embedded into the framework. Objective: Check the exhibition plan for a specific show out on the town. Use Case Relationships: Expand: UC01 Include: Affiliation: Speculation: Portrayal: Record On-screen character Event 1 Client chooses an ideal presentation and a date. 2 Framework shows an affirmation message for the accessibility of the exhibition. 3 Framework permits the client to play out the following occasion (UC06). Options: File On-screen character Event A 1.1 Framework tells the client that the exhibition is inaccessible on the ideal date. Table 6: Use Case of Check Seat Availability Number: UC05 Req. Doc Ref: Name: Check Seat Availability Status: On-screen characters: Agent Pre-requirements: Client ought to be signed in the framework. Timetable checking (UC05) ought to be performed by the client. Objective: Checks for accessible seats. Use Case Relationships: Expand: Include: Affiliation: Speculation: Portrayal: List On-screen character Event 1 Client chooses an ideal presentation and a date. 2 Framework shows an affirmation message for the accessibility of the seat. 3 Framework permits the client to play out the following occasion (UC07). Choices: List Entertainer Event A 1.1 Framework informs the client that the seat is inaccessible for the ideal execution. Table 7: Use Case of Capturing Customer Information Number: UC06 Req. Doc Ref: Name: Catch Customer Information Status: Entertainers: Agent Pre-necessities: Client ought to be signed in the framework. Seat checking (UC06) ought to be performed by the client. Objective: Record client subtleties. Use Case Relationships: Expand: Include: Affiliation: Speculation: Portrayal: Record On-screen character Event 1 Client enters the name, address and phone number of the client. 2 Framework checks for every single required datum passage. 3 Framework associates with the database. 4 Framework composes information into the database. 5 Framework shows an affirmation message after fruitful database composes. Options: Record On-screen character Event A 2.1 Enter required data. A 3.1 Check arrange availability A 3.2 Check database network A 3.3 Check database client job A 4.1 Client gets notice of ineffective activity. Table 8: Use Case of Checking Ticket Price Number: UC07 Req. Doc Ref: Name: Check Ticket Price Status: Entertainers: Representative Pre-imperatives: Client ought to be signed in the framework. Ticket evaluating data (UC04) ought to be gone into the framework. Objective: Check for ticket cost for specific show Use Case Relationships: Broaden: UC01 Include: Affiliation: Speculation: Depiction: Record On-screen character Event 1 Client chooses an ideal exhibition structure the framework. 2 Framework shows the characterized estimating for the ticket. Choices: List On-screen character Event A 2.1 Cost not discovered is informed to the client. Table 9: Use Case of Selling Ticket Number: UC08 Req. Doc Ref: Name: Selling Ticket Status: On-screen characters: Representative Pre-essentials: Client ought to be signed in the framework. Check ticket value (UC08) ought to be performed by the client. Objective: Record tickets sold. Use Case Relationships: Broaden: Include: Affiliation: Speculation: Depiction: File Entertainer Event 1 Client chooses the ideal execution from the framework. 2 Client enters ticket selling date and the ticket cost for the ideal execution. 3 Framework checks for every single required datum passage. 4 Framework associates with the database. 5 Framework composes information into the database. 6 Framework shows an affirmation message after effective database composes. Choices: List Entertainer Event A 3.1 Enter required data. A 4.1 Check organize availability A 4.2 Check database network A 4.3 Check database client job A 5.1 Theater administrator gets notice of ineffective activity. Table 10: Use Case of Printing Ticket Number: UC09 Req. Doc Ref: Name: Printing Ticket Status: On-screen characters: Assistant Pre-essentials: Client ought to be signed in the framework. Check ticket value (UC08) ought to be performed by the client. Objective: Print ticket for the client Use Case Relationships: Broaden: Include: Affiliation: Speculation: Depiction: File On-screen character Event 1 Client triggers the print order for the sold ticket. Choices: List Entertainer Event A 1.1 Printer not discovered notice will be given to the client. Table 11: Use Case of Checking Ticket Booking Type Number: UC10 Req. Doc Ref: Name: Check Ticket Booking Type Status: Entertainers: Representative Pre-imperatives: Client ought to be signed in the framework. Print ticket (UC10) ought to be performed by the client. Objective: Decide the ticket booking type. Use Case Relationships: Expand: Include: Affiliation: Speculation: Portrayal: List Entertainer Event 1 Client chooses the booking type to recognize whether the ticket was reserved over telephone. Choices: List Entertainer Event Table 12: Use Case of Printing Address Label Number: UC11 Req. Doc Ref: Name: Print Address Label Status: Entertainers: Representative Pre-imperatives: Client ought to be signed in the framework. Ticket booking type (UC11) ought to be performed by the client. Objective: Print address

Developing Structure of Temperament and Personality †MyAssignmenthelp

Question: Talk about the Developing Structure of Temperament and Personality. Answer: Presentation: The procedure of character advancement in the people rely upon a huge range of components, and every single factor assumes an instrumental job in molding the character attributes of these people. Presently these components are unpredictably connected with one another, and every one of these factors can possibly impact others thus twisting the character of the person. Presently there are different models and structures endeavoring to order the effects of these elements, the five factor model of character characteristics is one such model or system that can be useful in clarifying the character advancement technique (Judge et al., 2013). This task will look into the five factor model with the later and contemporary hexaco model, assessing the consideration of the 6th factor to the system and defending whether the incorporation of a 6th factor is advantageous or negative to the motivation behind investigating and understanding human conduct and character improvement. The five factor model of character is otherwise called the enormous five character qualities which endeavors to investigate the character attributes and its improvement in people. The factors picked for the Five Factor Model of character depends on basic simple to utilize language so the contrast between the factors can be effectively deciphered and corresponded with the social character changes with people. There are 5 interlinked factors with this factorial model; the absolute initially is receptiveness to various encounters (Heine, 2015). This variable can be considered as the measure for singular tendency towards energy about anything imaginative, similar to craftsmanship, feeling, experience, interest, shock. It speaks to the picture scholarly interest with a person, which permits a person to see the inventiveness and oddity inside any bizarre situation.The second factor to this model is good faith, human quality described by the inclination saw in individual to be both composed and reliable. It permits one individual to take part in self-restraint and request, helping the person in question to produce a feeling of hello there delightful attendant and, changing Lifestyle design from unconstrained and arbitrary to bepreplanned and precise (Hilbig et al., 2013). The following component in this model is extraversion, related with positive vitality, hopefulness, significant self-assuredness and amiability. It tends to be viewed as that this factor speaks to the beguiling and eager social character in a person. The following component is appropriateness, which speaks to the character characteristic that tends tobe caring and agreeable as opposed to being suspicious and adversarial. (Hilbig et al., 2013). The last factor to this model is the neuroticism which speaks to the emotionality of an individual, which moves the individual to have the option to feel outrageous feelings like indignation nervousness sadness and powerlessness. The term neuroticism can be characterized as the enthusiastic solidness that an individual may have and how helpless is his capacity of motivation control. This model is one of the pioneer models of character advancement in the field of brain research and has been the most favored system for assessment of human conduct and character characteristics until as of late (Heine, 2015). HEXACO model of character improvement and Sixth factor: An ongoing expansion to the character improvement systems is the HEXACO model of character advancement. It is fundamentally the same as the large five components structure and can be considered as the spontaneous creation of the previous model and the HEXACO model, alongside the five known components of character improvement incorporates a 6th extra component. Alongside the normal five components of the system, similar to transparency, pleasantness, reliability, emotionality and extraversion, the 6th components is straightforward modesty (Halverson, Kohnstamm Martin, 2014). This model of character advancement is a deduction from the first fundamental speculations of lexical theory, clarifies various components of human character in the straightforward language that is effectively interpretable. Presently contrasting this system and the pioneer huge five character advancement factors, three significant variables, extraversion, receptiveness to encounters and good faith in present in both the models, though two of the rest of the components suitability and neuroticism of five factor model is identical to the pleasantness and emotionality of the HEXACO model. The main novel component in the HEXACO model is the genuine quietude factor; this factor alludes to the nearness of traits like genuineness, unwaveringness, humility, sincereness, and loyalty in a person. The nearness of legitimate quietude in an individual encourages a person to maintain a strategic distance from adverse character attributes like trickiness, covetousness, falsification, egotistism an d some more (Gurven et al., 2013). As referenced over, this model is created on the lines of past lexical examinations and joins language based scientific categorizations in ordering character attributes. Presently considering the 6th factor legitimate quietude included, different broad investigates recommend that the absence of genuine lowliness is related to a great extent with the dim set of three of character. Absence of morals and strength of aberrance has been connected to absence of this factor in crafted by numerous prominent creators. As per the view purpose of a gathering of creators, nonattendance of genuine quietude can be the contributing element to support of scorn and vengeance also (Aghababaei Arji, 2014). From the writing, the requirement for this factor in the models that assess human character characteristics and particularly the anomalies in them clear. Besides it must be referenced that the expansion of the 6th factor in with the general mish-mash fills some needs; the examination creators having a place with the field of brain research have talked about the genuine quietude factor to be basic for character advancement and its order for quite a while now. As indicated by significant diary articles distributed by achieved brain science scientists that characteristics like realism, psychopathy and narcissism is profoundly connected with the absence of legitimate modesty. Thus so as to comprehend the pervasiveness of dim attributes inside a human, a factor subordinate model that incorporates genuine lowliness will be very valuable (Aghababaei, Wasserman Nannini, 2014). End: The HEXACO model of character advancement was built up in the mid 2000s and the extra 6th component has helped the examinations having a place with an assorted scope of subfields inside brain science. Consequently it tends to be said that this expansion into the ordinary five factor model has just made the system increasingly exact and productive in understanding human brain science and the individual imperfections in it. Fair quietude, combined with suitability is viewed as the most significant couple to shape better than average character inside a human, subsequently it very well may be inferred that the expansion of the 6th factor has been just ad libbed the model further and has incrsaed its convenience. References: Aghababaei, N., Arji, A. (2014). Prosperity and the HEXACO model of character. Character and Individual Differences, 56, 139-142. Aghababaei, N., Wasserman, J. A., Nannini, D. (2014). The strict individual returned to: Cross-social proof from the HEXACO model of character structure. Psychological well-being, Religion Culture, 17(1), 24-29. Gurven, M., Von Rueden, C., Massenkoff, M., Kaplan, H., Lero Vie, M. (2013). How all inclusive is the Big Five? Testing the five-factor model of character variety among foragerfarmers in the Bolivian Amazon. Diary of character and social brain science, 104(2), 354. Halverson, C. F., Kohnstamm, G. A., Martin, R. P. (Eds.). (2014). The creating structure of disposition and character from earliest stages to adulthood. Brain research Press. Heine, S. J. (2015). Social Psychology: Third International Student Edition. WW Norton Company. Hilbig, B. E., Zettler, I., Leist, F., Heydasch, T. (2013). It takes two: HonestyHumility and Agreeableness differentially foresee dynamic versus receptive collaboration. Character and Individual Differences, 54(5), 598-603. Jonason, P. K., McCain, J. (2012). Utilizing the HEXACO model to test the legitimacy of the Dirty Dozen proportion of the Dark Triad. Character and Individual Differences, 53(7), 935-938. Judge, T. A., Rodell, J. B., Klinger, R. L., Simon, L. S., Crawford, E. R. (2013). Various leveled portrayals of the five-calculate model of character anticipating work execution: coordinating three arranging structures with two hypothetical viewpoints.

Question me an answer.

Question me an answer. PROPOSTION. Youve been reading this blog all this time without ever getting to know me. I mean, the real me. On Friday or thereabouts, Im going to do an entry introducing myself in a survey-type format. If you have any personal questions youd like me to answer, just leave them in a comment and Ill let you know. DID YOU KNOW? The entry title comes from some fantastic old 1970s movie that my grandfather had on one afternoon while I was growing up. All I remember is a guy in a paisley suit dancing around on a dock with a Vietnamese childrens choir and singing even though your answer may be wrong, my question will always be right! as they sing things like 1776! and he replies When did Columbus sail the ocean? and the song goes on like this for like 23 minutes, because there was a tap dance break or something in the middle, and at the end of the song the Vietnamese children are so annoyed by this guy that they push him into the river, which he totally deserved, and he just sits there splashing for a while and the harp plays festive arpeggios that lead us into the next scene. Has anybody seen that one? But I digress. ANONYMOUS QUERY! Youre a chemical engineer student, right? I really love chemistry, and I also love building and planning things (I make my own little doomsday devices)so Chemcials + engineeringcan you tell me what a real chemical engineer would do? Ive always been meaning to do the how does a chemist differ from a chemical engineer? entry, and now youve gone and given me an excuse. Look what youve done now. The short answer is the old adage Chemical engineering is the practice of doing for a profit what an organic chemist does only for fun. Well, thats not entirely accurate, but it is true that the work done by a chemical engineer usually vastly differs from that done by an organic chemist. Chemists usually concern themselves with work at the molecular levelcharacterizing a new metal-ligand catalyst via spectoscopy (5.04), finding the best set of reactions to synthesize a particular drug (5.13), or determining the exact geometry of a molecules electrons during a chemical change (5.60 and 5.61). A chemical engineer isnt going to be concerned so much with exactly what molecules look like or how they react, but rather what their gross properties are and how to optimize these reactions for research and industrial applications. For example, as you might know by now, my job as a chemical engineering researcher is to turn turkey carcasses into oil. Now, my grad student Andy and I already know how the turkey carcasses turn into oil, kind of you just heat them to 500 C, magic happens. And we know whats causing a problem in this processthe normally-delicious Maillard reaction is forming giant brown-black polymers akin to bread crust in the 250 C reactor. However, to solve this problem, were not really looking at the Maillard reaction at the molecular level. Were considering it basically only in the context of glucose + glycine = ugly black polymer. Rather than trying to determine theoretically how we might prevent the Maillard reaction, were varying the parameters of the reactor used and measuring the output and composition of the products. Our work is not so much theoretical as practical, and the questions we ask are not What cofactor could be added to slow down this reaction? but How can we detect the presence of glucose and glycine in our final reaction mixture? or How can we best model the fuel companys reactor in our design? A lot of chemical engineering is data analysis, it seems. This semester Ive spent a good four or five hours poring over Excel spreadsheets every week. MATLAB is also a major component of many Course X classes, much to the chagrin of programming-averse sophomores. Accordingly, the classes in chemical engineering emphasize real-world problem solving and situation analysis just as much as they do textbook examples. In 10.301: Process Fluid Mechanics, half the course was spent fitting viscosity data to smooth curves and verifying particle settling rates, while the other half was spent in a theoretical discussion of shear stress. This week in 10.302: Transport Processes, I have just about the most awesome problem ever to solve, involving the design of a ceramic plasma coating implement that operates at 10,000 K with a convective coefficient of 30,000 W / m K. Unlike some chemistry classes, in which youre just oxidizing your primary alcohols all night, I can always see exactly how what Im learning might be applied in industry. And what does a chemical engineer do in the real world? Well, according to career fair, a chemical engineer might work for an energy company like Shell or BP, or a pharmaceutical company, which would be just perfect with a degree in the newly-created Course 10B: Biochemical Engineering. Heck, maybe theyd even work for a chemical company. One thing thats pretty cool about any engineering major at MIT is that you end up getting, through your required classes, quite a bit of experience with other types of engineeringin particular, a lot of what you see in Course 10 relates closely to Course 2: Mechanical Engineering and Course 3: Materials Science and Engineering. As a result, its possible to find a job with chemical applications in areas that would initially seem to be only tangentially related. So, in conclusion, Chemical Engineering at MIT is the most perfect major at any college, ever and opens a million doors to boundless possibilities limited only by your imagination. Okay, hope that helped, Anonymous if that it your real name. BONUS! More adventures in German grammar. Yesterday in German I we learned how to say number above 20, all the way up to 999,999. Then somebody asked how you say ten to the sixth. Zeun hoch sechs. apparently. Weve got our first major test am Donnerstag, and today was essentially a review for that occasion. About half the class was confused about when to use the accusative case for articles and pronouns until one student, who had spent last summer interning in Germany as part of the MISTI program, came up with this gem of a mnemonic Nominative: Er ist ein student. Accusative: Er isst einen student.

The Formula For Creating A Successful Business - 2752 Words

Many people question whether there is a formula for creating a successful business. The answer to that question is no. The formula for a successful business is constantly changing due to various reasons. Business has evolved from shabby convenience stores corner to international corporations. There has been an unmistakable trend toward bigness in business since the mid-1980s. Corporate mergers are now very common and undoubtable effective. The US government regulates these businesses through antitrust laws. Corporate mergers and antitrust laws play a crucial role for producers and consumers. The historical backdrop of the American economy since the Civil War has become a corporate focus. A business game changer arrived at in the early†¦show more content†¦After years of groundwork by the Roosevelt and Taft administration, lawsuits were brought against the Standard Oil and American Tobacco trust. The Supreme Court believed that both companies used their bigness to gain power in each of their relevant entities. The Standard Oil trust forced the railroads, which was basic means of transportation of oil at the time, to give discounts and rebates on oil it shipped as well as oil shipped by its competitors. The Standard Oil trust used unlawful practices to force its rivals out of business. Due to the vague language the Sherman Antitrust Law was written rather vaguely, the Democratic Party passed the Clayton Antitrust Act in 1914. The Clayton Antitrust Act prohibited practices that lessened competition or tended to create a monopoly. The framework of the Clayton Antitrust Law banned five unlawful business practices. Price discrimination, Interlocking stockholding, Interlocking directorates, Tying contracts, and Exclusive dealings were the five bad business practices. The Federal Trade Act was passed in 1914. The Federal Trade Commission, also known as the â€Å"FTC†, purpose was to guard any antitrust anticompetitive practices that were outlawed by the Sherman and Clayton Act. By 1920 the courts had stripped the Federal Trade Commission of most of its powers. In

Quotes by Comedian and Actress Mae West

Mae West was best known as a comedian and actress whose bawdy plays and movies were full of double entendres and attracted the attention of industry censors. Less well known is her role as writer in many productions. Her film career—mainly at Paramount in the 1930s—seemed to stop in 1943, but she returned in the 1970s for cult classic Myra Breckinridge and Sextette. Selected Mae West Quotations †¢ I believe in censorship. I made a fortune out of it. †¢ If I asked for a cup of coffee, someone would search for the double meaning. †¢ I wrote the story myself. Its all about a girl who lost her reputation but never missed it. †¢ When Im good, Im very good. When Im bad, Im better. †¢ Too much of a good thing can be wonderful. †¢ Its hard to be funny when you have to be clean. †¢ Im a woman of very few words, but lots of action. †¢ I generally avoid temptation unless I cant resist it. †¢ It isnt what I do, but how I do it. It isnt what I say, but how I say it, and how I look when I do it and say it. †¢ Ill try anything once, twice if I like it, three times to make sure. †¢ When choosing between two evils, I always like to try the one Ive never tried before. †¢ Marriage is a great institution, but Im not ready for an institution yet. †¢ I used to be Snow White, but I drifted. †¢ Why dont you come on up and see me sometime—when Ive got nothin on but the radio. †¢ Why dont you come up sometime and see me? Im home every evening. Come up. Ill tell your fortune. Ah, you can be had. †¢ Lifes just a merry-go-round. Come on up. You might get a brass ring. †¢ Shes the kind of girl who climbed the ladder of success wrong by wrong. †¢ When women go wrong, men go right after them. †¢ There are no good girls gone wrong, just bad girls found out. †¢ Is that a banana in your pocket, or are you just happy to see me? †¢ It is better to be looked over than overlooked. †¢ Keep a diary, and someday itll keep you. †¢ To err is human, but it feels divine. †¢ Love conquers all things except poverty and toothache. †¢ Ive been rich and Ive been poor. Believe me, rich is better. †¢ Sex is emotion in motion. †¢ Virtue has its own reward, but no sale at the box office. †¢ Those who are easily shocked should be shocked more often. †¢ I like my clothes to be tight enough to show Im a woman, but loose enough to show Im a lady. †¢ Youre never too old to become younger. †¢ I like restraint, if it doesnt go too far. †¢ Im the lady who works at Paramount all day... and Fox all night. †¢ I never worry about diets. The only carrots that interest me are the number you get in a diamond. †¢ A dame that knows the ropes isnt likely to get tied up. †¢ Love thy neighbor—and if he happens to be tall, debonair, and devastating, it will be that much easier. †¢ Its all right for a perfect stranger to kiss your hand as long as hes perfect. †¢ Its not the men in my life that count, its the life in my men. †¢ Every man I meet wants to protect me. I cant figure out what from. †¢ A man in the house is worth two in the street. †¢ A girl in the convertible is worth five in the phone book. †¢ A hard man is good to find. †¢ Ten men waiting for me at the door? Send one of them home, Im tired. †¢ Give a man a free hand and hell run it all over you. †¢ A man can be short and dumpy and getting bald but if he has fire, women will like him. †¢ An ounce of performance is worth pounds of promises. †¢ Dont keep a man guessing too long—hes sure to find the answer somewhere else. †¢ Look your best—who said love is blind? †¢ Flattery will get you everywhere. †¢ Ive been things and seen places. †¢ Im no angel, but Ive spread my wings a bit. †¢ The score never interested me, only the game. †¢ Men are my hobby. If I ever got married Id have to give it up. †¢ So many men... so little time. †¢ I only like two kinds of men—domestic and imported. †¢ I only have yes men around me. Who needs no men? †¢ Save a boyfriend for a rainy day—and another, in case it doesnt rain. †¢ Some men are all right in their place—if they only knew the right places! †¢ I like a man whos good, but not too good... for the good die young, and I hate a dead one. †¢ I feel like a million tonight. But one at a time. †¢ Men are easy to get but hard to keep. †¢ Men? Sure, Ive known lots of them. But I never found one I liked well enough to marry. Besides, Ive always been busy with my work. Marriage is a career in itself and to make a success of it youve got to keep working at it. So until I can give the proper amount of time to marriage, Ill stay single. †¢ His mother should have thrown him out and kept the stork. †¢ Hes the kind of man a woman would have to marry to get rid of. †¢ Dont marry a man to reform him. Thats what reform schools are for. †¢ Opportunity knocks for every man, but you have to give a woman a ring. †¢ It takes two to get one in trouble. †¢ Too many girls follow the line of least resistance, but a good line is hard to resist. †¢ Good women are no fun. The only good woman I can recall in history was  Betsy Ross. And all she ever made was a flag. †¢ Good sex is like good Bridge. If you dont have a good partner, youd better have a good hand. †¢ Diamonds is my career. †¢ When it comes to finances, remember that there are no withholding taxes on the wages of sin. †¢ No gold-digging for me. I take diamonds! We may be off the gold standard someday. †¢ You can do what you want, but saving love doesnt bring any interest. †¢ Any time you got nothing to do and lots of time to do it, come on up. †¢ Anything worth doing is worth doing slowly. †¢ Kiss and make up—but too much makeup has ruined many a kiss. †¢ Brains are an asset to the woman in love whos smart enough to hide em. †¢ Some women pick men to marry—and others pick them to pieces. †¢ Say what you want about long dresses, but they cover a multitude of shins. †¢ Let men see whats coming to them, and women will get whats coming to them. †¢ Cultivate your curves—they may be dangerous but they wont be avoided. †¢ I didnt discover curves; I only uncovered them. †¢ The curve is more powerful than the sword. †¢ Ive been in more laps than a napkin. †¢ Id like to see Paris before I die. Philadelphia will do. †¢ I see youre a man with ideals. I better be going before youve still got them. †¢ Women with pasts interest men because men hope that history will repeat itself. †¢ Dont ever make the same mistake twice, unless it pays. †¢ Right now I think censorship is necessary; the things theyre doing and saying in films right now just shouldnt be allowed. Theres no dignity anymore and I think thats very important. †¢ The best way to behave is to misbehave. †¢ You only live once, but if you do it right, once is enough. Quote collection assembled by Jone Johnson Lewis. Each quotation page in this collection and the entire collection  © Jone Johnson Lewis. This is an informal collection assembled over many years. I regret that I am not be able to provide the original source if it is not listed with the quote.

Stephens vs Lincoln Free Essays

Stephens vs. Lincoln In two very different speeches by Alexander H. Stephens and Abraham Lincoln they both argue their points of view on slavery and the opposing side plus how they would like to have the new government to be run. We will write a custom essay sample on Stephens vs Lincoln or any similar topic only for you Order Now In the first speech by Stephens he states that the ideas of slavery at the time of the old constitution were wrong and that they rested on the beliefs of equality between the races. He goes on to argue that slavery in the south will have its foundations laid upon the ideas that, as Stephens says. the negro si not equal to the white man; that slavery, subornation to the superior race, is his natural and moral condition. † In contrast, Lincoln describes how each person has a different definition for the word Liberty. One side defines it as meaning that they can do what they please with themselves and the earnings. While the other defines it, as Lincoln says, â€Å"some men do as they please with other men, and the product of their men’s labor. † Lincoln identifies the central differences between the north and the south as a misconception of the word Liberty, one side called liberty and the other tyranny. Stephens believes himself, and all whites as being superior to African Americans and that it’s the law of nature for it to be so. Whereas Lincoln says that everyone is equal and that’s Stephens and others like him have destroyed the meaning and significance of the word Liberty. These opposing speeches show the points of view on slavery from the north and the south and how each side takes liberty and changes it around to the advantage of their own purposes. How to cite Stephens vs Lincoln, Essay examples

Australian Fashion Design and Cultural Identity- MyAssignmenthelp

Question: Discuss about theAustralian Fashion Design and Cultural Identity. Answer: Introduction Fashion is shaped on the basis of national culture. However, based on the historical foundations, the Australian fashion is mainly shaped through the models from Britain, which have been evolved internationally. However, the modern Australia has a unique style of fashion, which is able to be clearly distinguished from European fashion trends. It has been revealed from the fashion brands principles in Australia; the designers are continuously trying to keep balance between creativity and national identity (Entwistle, 2015). All the designer brands attempt to integrate unique features, symbolizing the particular cultural identities. In Australian culture, fashion is distinguished from dress not by only how the fashion been fashioned or created rather by its nature. Moreover, fashion is represented by reflecting the prevailing styles in polite society instead or being based on function. Identity is one of the most compelling and contentious concepts in humanities and social science. Fas hion is significantly linked with constructing and reconstructing identity, i.e. how people represent the contradictions and self in their daily life. Through appearance and style people represents their wishes and thus it is a metaphor for identity (Bulmer Buchanan-Oliver, 2010). While considering a particular fashion cloth, i.e. skirt, Australian culture significantly represents a difference from the European culture. For instance, Australian culture believes in wearing such cloths that would help them to be relaxed. Thus, in contrast to the full or knee length skirts preferred by the European culture, the cloth has evolved to miniskirts in Australian culture. In also the indigenous culture, skirts are favoured in Australia, although the materials for those clothes are different from the non-indigenous Australian culture. Moreover, Australian culture promotes colourful representation and establishing a link with nature (Gibson, 2016). Thus the floral and fabric work is preferred in skirts. The fashion appearance in Australia has been represented the influence from 1960s fashion design and those clothes are modified and integrated in new forms in the current Australian fashion culture. For instance, during 1960s, the sarong design became very popular among th e Australian people. Additionally, during 1975, specialized hand prints in the t-shirts, sarongs and accessories have been shown to be prevalent. According to the trends and tradition of sarong skirts currently Australian labels are exploring their designs to boutiques and department stores in Europe, Asia, US and other countries throughout the world (Geczy Karaminas, 2012). Therefore, Australian brands are attempting to promote their global presence, which included Gorman brand for their unique style of skirt. Fashion weeks at Sydney and Melbourne represent different unique combination of Australian tradition with the modern clothing principles like balance between colour, texture, cutting, pattern and combination. In this assignment of Australian clothing and fashion culture analysis, the renowned fashion clothing brand has been selected, i.e. the Gorman brand, which have significantly looking for aligning their modern fashion and clothing designs with the Australian culture and evolving lifestyle. In this context, the brand especially focuses upon maintaining the quality of fabrics, shapes and customized prints, which modern Australian generation is looking for, while maintaining a link with the national culture (Healey, 2010). The founder of the brand, i.e. Lisa Gorman launcher her eponymous label at fledgling boutique in 1999 in Melbourne, with her latest collection known as less than 12 degrees, which got an instant success. The entrepreneur identified something special in her brand and followed that unique trend in her designs through years; as a result Gorman label became an iconic part of the Australian fashion industry. The reason behind its flourish is the unique thought of the owner to make a strong link between the traditional Australian culture and the specialized needs of modern young generation through the unique texture, fibre and colour concepts. Although the organization was started at Melbourne, which is limited within the home country, the online presence of the brand is making its designer clothes available to women throughout the world. Starting from a status as one-lady-with-sewing-machine-in-her-bedroom the founder has adopted unique way to turn her small business into a major operation, without slowing down (Wilcox, 2017). The brand, with other womens outfit, prioritizes skirts, which is a preferred outfit by the Australian women as casual, professional as well as occasional outfit. It is in the fashion since 1960s and the brand Garmon is attempting to keep an essence of Australian traditional symbol in the modern skirt design. For instance, The philosophy of the organization is that it consist a distinct handwriting underpinning all of the designs, including its signature prints, directional knitwear and distinctive colour palettes (Gorman Online, 2017). In addition, the brand is thoroughly modern for all of its tribal and vintage references and the inspiration from the local culture and artist surrounding the brand is significantly inspiring its designs, especially the culture of the founders local fitzroy. In addition, to symbolize the culture in the clothing, the flora and fauna, which are native to the continent, like Kangaroo, emu, wattle are used sometimes in designs. For instance, in sarongs, these symbols are commonly utilized in designs. The brand uses different types of fabrics and textures, aligning with the style and pattern suitable for the residents. The founder inspires the designers to include their cultural experience in their designs. For instance, the city, the person or a song along with a touch of m odernism. In addition, Australians are nature lover and like to be relaxed, thus the brand attempts to incorporate natural art, i.e. sunset or flower, representing each designs with colourful background, as per the likings of people (McRobbie, 2013). The organization includes silhouette prints for representing relaxed mood, floral and other colourful patters for playful representation along with a urban touch in their materials and colours. The unique pattern of the skirts also includes a beachy and natural feel. The formal collection for skirts is made on the basis of visual communication principles, like maintaining a proper balance between colours. As equal distribution of colour makes communication boring, unequal distribution of colours would be required (Garling et al., 2013). The patterns are unique for the brand that is why the brand is getting global appearance quickly. On the other hand, the casual skirts, like wrap over, miniskirts and sarong and knee length skirts include feature rope, coral, rock patterns, slit, star fish or shells and loose fabric. To represent more on culture and climate, they also launches a seasonal clothes, for instance, in summer or spring season, light pattern and fabric is used for creating more refreshing and colourful designs, according to their relaxing nature (Carrico Kim, 2014). For this, they use light soft fabric with lace and overlays, which gives an essence of feminine loo k. On the other hand, the formal skirts are more sensitively designed to eliminate any symbols of boldness. In addition to the consideration of cultural attributes, the organization is also focusing upon the social well being also. For instance, the brand introduced Gorman organic in 2007, for responding towards increasing environmental awareness. Thus, the organization started to focus more on manufacturing innovative organic fabric. In addition, the organization blended their innovation throughout their traditional cultural collection, thereby offering customers to make a sustainable choice, instead of compromising good design and quality. In this context, all the garments produced and offered by the brand are made of certified organic materials or comes from sustainable farming or non-chemical processing of via closed loop production means. In this context, to be culturally identical, the designs and patterns are made unique, which can be significantly distinguishable from the other nations Yu et al., 2014). However, the brand follows the traditional western culture through their global presence. The visual communication is aligned with the cultural traits, aligning with the design principle and values. For instance, the traditional occasional skirts are made through the use of warm and dark colours, as these colours contain more visual weight than cool and light colours. The combination of colour and patterns follows the 6 design principles and values. Longer, wider lines are included, while maintaining a visual balance in colour, texture, pattern and shape in formal and party wears, whereas for beach or summer skirts, the short and thinner lines along with soft, fine textures are used (Baird Collias, 2014). Figure: Gorman skirts (left: relaxed, middle: professional, right: occasional) (Source: Gorman Online, 2017) Analyzing the cultural attributes of Australian cloth company Gorman, it has been revealed that the brand has several strength as well as weaknesses. For instance, the organization is continuously working on improving their production, through innovation and making their products customer-centric as well as environment friendly, as a result the brand has a significant chance of global expansion. However, one of its key weaknesses is less offline presence; the brand is providing more concentration on its online presence. Thus, it can be interpreted that this area should be improved significantly. Reference List Baird, D. G., Collias, D. I. (2014).Polymer processing: principles and design. John Wiley Sons. Bulmer, S., Buchanan-Oliver, M. (2010). Experiences of brands and national identity. Australian Marketing Journal 18(4), 199-205. Carrico, M., Kim, V. (2014). Expanding zero-waste design practices: a discussion paper.International Journal of Fashion Design, Technology and Education,7(1), 58-64. Entwistle, J. (2015). The fashioned body: Fashion, dress, and social theory. John Wiley Sons. Fletcher, K. (2010). Slow fashion: An invitation for systems change. Fashion practice. The Journal of Design, Creative Process and the Fashion Industry, 259-266. Garling, S., Hunt, J., Smith, D., Sanders, W. (2013).Contested governance: culture, power and institutions in Indigenous Australia(p. 351). ANU Press. Geczy, A., Karaminas, V. (2012). Fashion and art. London: Berg. Gibson, C. (2016). How clothing design and cultural industries refashioned frontier masculinities: a historical geography of Western wear.Gender, Place Culture,23(5), 733-752. Gorman Online. (2017).Gorman Online :: About Us.Gorman Online. Retrieved 2 June 2017, from https://www.gormanshop.com.au/aboutus/ Gregory, D. (2004). It's all about Australia, mate. Auckland: Exisle Publishers. Healey, R. (2010). Global positioning of Australian fashion. New York: Berg. McRobbie, A. (2013).In the culture society: Art, fashion and popular music. Routledge. Wilcox, C. (2017). Badge, boot, button: The story of Australian uniforms. Canberra: National Library of Australia. Yu, W., Fan, J., Ng, S. P., Harlock, S. (2014).Innovation and technology of women's intimate apparel. Woodhead Publishing.